What the critics have to say about
Bruce Greenwood in Sleepwalkers

Bruce Greenwood, who was so appealing as a stressed-out fugitive on the short-lived Nowhere Man, plays the head of a cutting-edge research facility where scientists can enter the dreams of research subjects.
Chicago Tribune 10/12/97

Greenwood's Dr. Nathan Bradford is exactly the kind of mysterious, lovelorn guy you'd want running a dream research institute.
TV Guide 9/12/97

Director David Nutter gets intense, convincing work from his cast, particularly Greenwood, who has the good if mad-scientist intensity (shades of Captain Kirk!) to be a star.......Watson is a lot like Greenwood in looks and charisma.
Hollywood Reporter 10/31/97

Greenwood, who was excellent as the existential hero of Nowhere Man, is just as good here. It's unfortunate that Greenwood's movie career didn't take off after his heartbreaking work in Exotica, but he shines here, nonetheless, in a somewhat similiar role.
Ultimate TV 10/27/97

The cast is uniformly good, especially Greenwood in the restrained role of a doctor compelled to investigate the healing possibilities of dreams because of his wife.
Mr. Showbiz 9/3/97

Bruce Greenwood, always an interesting actor to watch, finds a berth on NBC's Saturday "thrillogy," sandwiched between Pretender and Profiler.
The Morning Call, Allentown PA

Ten years ago, an appealing actor named Bruce Greenwood appeared in a great drama series, NBC's St. Elsewhere. Two years ago, he starred in an intriguing one, UPN's Nowhere Man. Now, Greenwood heads the cast of NBC's new Sleepwalkers.......... As for Greenwood, if you want to see what he can do when he's got something to work with, catch him in the remarkable Cannes Film Festival award winner The Sweet Hereafter when it opens in Milwaukee. He's an actor of depth and subtlety........
Milwaukee Journal Sentinel 10/30/97

Greenwood's Dr. Bradford is firm yet approachable.....
Daily Variety 10/31/97

Greenwood is a little too stiff as the secretly tormented neurophysiologist. It's not until the poignant last scene that he lets himself go and you get a sense of how good he is at playing complicated, conflicted heroes.
Salon 10/31/97